I usually point out that we do not have a street and number system in Tokyo. Three sets of numbers at the end of a Tokyo address zeroes in from a big area, then to a specific block, and finally ends at a specific unit on that block. Then, just to make things interesting, I add that there’s no set direction for how the numbering goes up and down. It’s confusing, but at least that’s how I am so used to associating numbers and places.
In the next few month, I will be in Kyoto a few more times. I am sure I will add more good sake bars on the list, but Inaseya is definitely the place to go back for to check out what other funky crazy new muroka nama genshu they have in stock!
The day I returned from visiting Chiyomusubi in Sakaiminato in January, we opened a bottle of Tamagawa Tetsukezu Genshu from Kinoshita Shuzo. This was bottled directly from the giant accordion of a pressing machine, or Yabuta. It was so bubbly and lively. I happened to also bring back some Matsuba Kani from Tottori that day. The sake itself was great, but with the crab, that was just soooo good. That’s when I pulled out a map of Japan to see where Kumihama, Kyoto is.
“It’s on the Japan Sea coast and not far from Tottori or for that matter, Shimane is pretty close.” After going to a tasting of Shimane sake, I was really impressed by the region. Thus, my first casual thoughts boiled and bubbled over the next few weeks to finally emerge as a plan for a grand tour around San’in in March.
“How does he do it?” was the first thing I said when I had my first sip of Philip Harper‘s Time Machine. When Te-chan and I visited Phillip at Kinoshita Shuzo in March 2008, he mentioned the new batch of sake he was brewing called Edoryu Kimoto, or Edo style kimoto. I don’t know exactly [...]